Notes on the Target Collection: Doctor Who – Rose, The Christmas Invasion, The Day of the Doctor and Twice Upon a Time
Amidst being ill and travelling, reading in the first half of this week has involved the four entirely new Doctor Who novelizations from BBC Books. These somewhat emptily bear the Target logo on the front, though nowhere else, with no explanation of the logo on the covers or the interior. This might be an indication that the marketing of these books has been very much to the older fan for whom the logo (here in its most dissimilated late 1970s form) bears fond associations, and less to new ones despite social media showing that there is a lot of enthusiasm for these titles among the teen and twentysomething bracket.
Brief thoughts: The Day of the Doctor is extraordinary, if occasionally smug, but indicates what Steven Moffat would really have like to have done with the anniversary story. There are more Doctors, some River Song, and portents of The Time of the Doctor… or is it The Impossible Astronaut/Day of the Moon? (Sorry – what did I just type? Why are there tally marks on my arms?? Turn to page 232… Predictable as ever, Moffat???) If this is what a first novel looks like from an experienced television writer, then Moffat should write more, in whatever genre.
Rose, by Russell T Davies, is a tale of human beings being extraordinary even when circumstances set a low bar (traditional phrase) and when they can, like Rose, do so much more. Mickey is redeemed in print in a way he wouldn’t be on screen until later in the first series, and has a band. Clive is more noble and more pathetic at once, too; and the rising of the Autons is more violent, more bloody, and more enduring. Jenny Colgan’s The Christmas Invasion is a generally brisk treatment of RTD’s script, but Colgan does take time to add more detail and character texture; we learn more about the Guinevere One programme, and of Danny Llywellyn and his team, and there’s more sense of the human cost that sleepwalking a third of the population to precipices would bring as well. Meanwhile, it’s not just a new body the Doctor is getting used to, but unprecedented feelings in a certain direction – and I’ve never thought of the Doctor in terms of chocolate cake before.
Finally, Twice Upon a Time feels just as well marinated as the older stories, despite Paul Cornell having written most of the book before seeing the television episode on screen. He incorporates a critique of the episode’s characterization of the First Doctor, the Twelfth being its (inner) mouthpiece. Barbara Wright is namechecked, and the issues of memory and story, which I’d have mentioned in any review of the episode, are brought out into the fore in a way the television episode didn’t quite manage. Questions about Bill and Nardole and their manifestations in this story are answered, too.
While a full revival of the novelizations range is unlikely and probably undesirable in its old form, a carefully-curated release every so often would be welcome, featuring of four or five books like these, with a careful mix of original authors and novelizers sympathetic to the original material. Let’s see Doctor Who: Listen before 2195.
Doctor Who Magazine Special Edition number 44, On Location, is still on sale for £4.99. If you want to read me writing about quarries in Doctor Who, and about the use of locations in The Dalek Invasion of Earth, The Curse of Fenric and Planet of the Dead, this is the publication to buy. If that’s not your thing, there is much more, including Simon Guerrier’s location visit to The Rebel Flesh/The Almost People, Tim Worthington’s look at locations in the 1996 TV Movie, Paul Hayes’s interview with Dalek Invasion of Earth designer Spencer Chapman, and John J Johnston’s look at London locations in Doctor Who, plus lots more work from other great Whoish folk. Marcus Hearn has edited this one between toils on The Essential Doctor Who (issues of which are also worth picking up) for Panini Magazines.