Blog Archives

Don’t Shoot – He’s British! parts two and three

pallisers-silverbridge-ironsJohn Connors has continued to publish my articles on Doctor Who, the Doctor and British identities at his Time Lines blog. Looking at them now, I’d give myself some notes. There are a lot of ideas there which I might get round to untangling at some point, and others where my thoughts ran ahead of my writing. One sentence in part three cries out for a mention of Love for Lydia (LWT for ITV, 1977; in which Peter Davison appeared) and how its content anticipates in a middle-class register the upper-class concerns of the more lavish literary adaptation that was Brideshead Revisited (Granada for ITV, 1981; which did not feature Peter Davison). The Pallisers (BBC, 1974), though predating both, offers a connection through the cricketing obsession grafted by screenwriter Simon Raven onto Anthony Andrews’s Lord Silverbridge, arguably a forebear both of Andrews’s Sebastian Flyte and Peter Davison’s Doctor. The Pallisers was a formative influence on 1980s Doctor Who producer John Nathan-Turner, who was given a field promotion to production unit manager during its dispute-stricken production and played a significant role in ensuring it reached screens.

Don’t Shoot – He’s British! part two looks at the tensions in the layering of identities which shaped the personas of the third and fourth Doctors. Don’t Shoot – He’s British! part three moves on to examine the development of the fifth and sixth Doctors and their universe, as represented by decisions on story, casting and costume and the channelling of long-current but overplayed cultural anxieties. There will be more.

The King’s Demons novelization on audio

King's DemonsWe sing in praise of total war…

This post exists to provide a link to my review of Doctor Who – The King’s Demons by Terence Dudley for the Doctor Who News Page.  I find few redeeming features, but might just be thought open to some of the charges I level against Dudley – except that I do like the Doctor and Tegan. In general, from the mid-1980s I came to appreciate more and more the economic writing style of Terrance Dicks; handing over the books to the authors of the television serials didn’t always gain the desired results.