Category Archives: doctor who fanzines

Don’t Shoot – He’s British! part one

BBClogo_1963Doctor Who commentator, editor and blogger John Connors has begun to reissue a series of articles which I originally wrote for the fanzine Plaything of Sutekh, which John co-edited with Richard Farrell. The series concerns the Doctor’s ‘British’ identity as defined and explored by Doctor Who since 1963. The first article looks at the first ten years of the programme.

S0me of the material in this series has not been published before and we intend to follow this ‘archive’ unpublished commentary with more. Please find the first of these articles here.

Star Begotten, issue 18, summer 1992

It’s been a while since I mentioned any old Doctor Who fanzines here. For your entertainment, though, here is a review of issue 18 of Star Begotten by me and published in the Doctor Who Appreciation Society’s Celestial Toyroom magazine back in October 1992. My twenty-one-year-old self both admires the freewheeling ambitions of the rising generation of writers, but also seeks the restoration of the old bonds of fandom as common endeavour as different parts of what had seemed a civil society in microcosm when I discovered it in late childhood headed in different directions. Some of this review is unsurprisingly given its author rather prim, but it’s still a good summation of the quality and impact of the contents.StarBegotten18

The Terrible Zodin, issue 18, spring 2016

 

TTZ18

Cover illustration by Steven Sautter

I’m resurfacing here to publicize issue 18 of The Terrible Zodin. Edited by Leslie McMurtry, it features reviews of series nine (including my second chance to review The Woman Who Lived), a retrospective on Virgin’s Missing Adventures novels of the 1990s, examinations of Delta and the Bannermen and K9 and Company, a look at the career of Valentine Dyall, lots of art, Romana paper dolls, and more reflections general and personal.

More details can be found at the fanzine’s own website, including the link from which the 98-page PDF of the issue can be downloaded, free of charge.

Frontier Worlds 13 & 14 (April 1982)

IMG_20140928_235750I threw this picture last night into a Twitter conversation between two retired veterans of Doctor Who fanzine editing, Andrew-Mark Thompson and Peter Anghelides. This – Frontier Worlds 13&14 – was the first Doctor Who fanzine I ever bought, in the old Forbidden Planet 2 at 58 St Giles High Street in London in August 1982, a few months after it was published. It’s difficult to capture what a revelation this was now to my eleven-year-old self. Jeremy Bentham’s fan-informed articles in Doctor Who Monthly gained the context I’d always inferred. I knew they were a projection of a parallel universe of fan commentary into the mainstream, but now I managed to see part of that normally hidden world for the first time. I learned that there were lots of people who thought about Doctor Who in similar ways to me, and about Blake’s 7 too as Frontier Worlds covered both series. Indeed, Steve Bowkett’s post-‘Blake’ story ‘Choice’, the first of Frontier Worlds‘s Blake’s 7 ‘Series E’ series, revealed to me a more cynical interpretation of Blake’s 7 distinct from the idealistic action-adventure reading I’d given it since I was seven. Martin Wiggins’s review of K9 and Company conveyed to me just how hostile an older generation of fans than mine was to its robot dog protagonist, of which I’d always been (and remain) rather fond. The most memorable article was probably the piece by editors Peter Anghelides (aforementioned) and Peter Lovelady and former editor Anthony Murray about their set visit to ‘Blake’, unaware that they were watching studio sessions for the last episode of Blake’s 7 until they saw the regulars perform their death scenes. The article has an entertaining B-plot about the writers’ attempts to break into writing for Blake’s 7 Monthly – Marvel UK’s not-quite-sister title to Doctor Who Monthly. As with all fan productions, there’s a social history in the lithography and the Letraset, with hints of the world beyond, of ‘University work’ and personalities in the then small world of active Doctor Who fandom, and a seriousness even in the humorous articles which roots Frontier Worlds in a particular phase of post-war British self-expression and which predates both the visceral panic of the cancellation-wary late 1980s and successfully avoids, moderates or sublimates the self-criticism or worse which seemed to pervade a lot of Doctor Who fan writing later in the decade.